Hypergraphia

Hypergraphia — the overwhelming urge to write. A name kept since 1995, and the ethos behind three decades of films, hypermedia, machine media, poetry, and scholarship.

Diego Bonilla · works & projects since 1992

every work, one horizon — open the timeline →

browse by domain ↓

A single life told as a chart of its making — every film, book, tool, poem, position, and paper on one horizon. Start with the timeline, or step into a domain below.

Modular Cinema

2003 — present

Films built from interchangeable parts, where the viewer's path composes the cut — Uku Pacha, Big Data, Desenlace Accidental, A Space of Time. Shown at the Ann Arbor Film Festival and beyond.

Immersive / VR

2002 — present

Places to inhabit rather than frames to watch — from the QuickTime-VR worlds of Virtual Pompeii and A Space of Time to the headset films Uku Pacha and Pitched Together.

Hypermedia & E-Literature

1995 — present

Hypertext and interactive works where the reader navigates rather than watches — Liber Rotavi, the Tablada hipertextual, and the original net-art of the early web.

AI & Machine Media

2022 — present

Machine-authored media pipelines and tools — AI News Social, custom GPTs, ScholarlyStanzas, Requiem Diurnus — where the newsroom, the poem, and the archive are generated.

Academic & Research

2001 — present

A professor's shelf — digital-media pedagogy and curriculum, service on the CA OER Council and in ICT literacy, books, and talks across two decades of teaching.

Curriculum Vitae

the short of it

The full vitae — appointments, publications, and honors — reads best as the timeline's academic view; a printable CV lives alongside it.